Pranayavarnangal is a Malayalam film released in 1998. Directed by Sibi Malayil, the script was written by Jayaraman Kadambaattu and Sachithanandan Puzhangara. Suresh Gopi, Manju Warrier, Divya Unni, Biju Menon, Rajendran and Janardanan appeared in leading roles. The film was a big hit at the box office.

This drama is made up of 3 different kinds of love the heroine goes through. Each love story is a one-act drama. In-ha, the Heroine, is a 34-year-old married woman, who is hoping to escape her dull marriage. She goes through a fairytale first love in her 20s and goes on to experience different kinds of love in her 30s and beyond. Now she looks back on her life, the love and the emotional conflicts she had through her life. Each love story will be portrayed in different genres, including melodrama, romantic comedy and human drama.

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在一个完美、无暴力的世界里，一名年轻的流浪汉在面对刺杀三人并将他们的尸体献给一个怀揣着诸多不切实际愿望的有权势之人这一事情时，必须在人性善良与个人利益之间做出抉择。

A behind-the-scenes look at the eleven-year process it took to make The Painted Bird. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various stages of the film's creation, offering their subjective views from the beginning to the last flap of a year-and-a-half long shoot.

Mummi, a sixteen year old farmers son falls in love with Sigrún, but when it comes to love, Mummi has no experience and thus must figure it out for himself.

The story of the formation in war-time Britain of the Royal Netherlands Brigade. Made on behalf of the Rijksvoorlichtingsdienst (the London-based Dutch government in exile) to appeal to Dutch nationals to resist German occupation.

Milena travels to a remote opal mining community to see her estranged, ill father. Lost and alone, she falls into his bewildering world, where men escape society and share ideals of freedom. Soon, he doesn’t want her to leave. Stuck in time, father and daughter try to mend their fractured bond, but their connection is fragile, like the strange, colourful gems he digs up from the earth.

Detective Toni Alma is assigned to investigate a suspicious car accident in Perdar Theendar, the Indigenous community she left as a child and has had little to do with over the years.

An experiment in film animation, visualizing a well-known military march in abstract, geometric patterns of colour. Bold hues move, march, blend and separate in a dynamic pattern of mobile forms, giving colour and shape to the sound patterns of the music. A film made without use of a camera. Rereleased in 1952.